Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
A new arrangement of Heinrich Schütz’s aria for bass, Fili mi Absalon, with realised piano part from the ground bass and reduced orchestra parts for interludes. Transposed up a minor third for baritones.
Key: B-flat dorian
Range: B-flat2 - E-flat4
Starting note: B-flat2
A new arrangement of Heinrich Schütz’s aria for bass, Fili mi Absalon, with realised piano part from the ground bass and reduced orchestra parts for interludes. Transposed up a minor third for baritones.
Key: B-flat dorian
Range: B-flat2 - E-flat4
Starting note: B-flat2